Quotes from Toni Morrison’s Beloved, New York: Vintage
Books, 1987
Django Unchained reminded me that Toni Morrison’s theory of rememory
works both ways. Sethe, a former slave, lived
with a great fear that her daughter Denver would return to the plantation from
which she escaped, Sweet Home, and experience a tortuous life of slavery. Consequently, Sethe lived with vivid
pictures, rememories, of what Schoolteacher, the overseer, had done to her.
“It’s when you bump into a rememory that belongs to someone else. Where I was before I came here, that place was real. Even if the whole farm – every tree and grass blade dies. The picture is still there and what’s more, if you go there—you who never was there—if you go there and stand in the place where it was, it will happen again; it will be there waiting for you, waiting for you” (43-44).
However, what Sethe experienced as torture Schoolteacher saw
as an experiment on an object of no consequence. In Schoolteacher’s mind, what would rememory
look like? The very thought makes me
shudder, but I think I came close to those rememories in the theater as I
watched Django Unchained. With Candie’s sadistic, phrenological tirades, he was the shadowy
mirror image of Schoolteacher in Toni Morrison’s Beloved (the coincidental
Candieland and Sweet Home).
Mr. Tarantino wanted to make a movie about slavery because
Hollywood ignores the subject, which is noble, some might say. But his efforts were a spectacle on and off
the screen, as viewers laughed at the most abject scenes of inhumanity inspired
by this country’s most shameful histories of slavery. I was enthralled by the spectacle—knowing that
anything at any moment could happen in this movie.
I bumped into rememories that belonged to someone else…
